THEY REMINISCE is inviting us to a funny and entertaining world that moves us through the evolution of Hip Hop history and culture from its beginning. Represented by Old School (OG’s) and the younger generation, we understand from the beginning that the OG’s and youngsters have some kind of beef. Respectfully staged in a funny way to point out the relationships between the two parties that even in our current life, seem to always have something to say to each other. There was a cheekiness that kept it light and a relatability to fall back on as the show weaved us through history.
The show was very authentic taking us through different elements of Hip Hop.“ THE ORIGIN ERA” had us understanding MC’ing, Breaking, Graffiti, Locking, Popping. “THE CLUB ERA” introduced VOGUE, HOUSE, WHACKING, TURNTABLISM and NEW JACK. “THE MODERN ERA” displayed a variety of dance crews through their own choreography and distinct styles. Educational narration (wish it was a little more audible for clarity) by host, Joshua Perkins, took us through the Evolution of Hip Hop; the performers acted out scenes, dancers embody different elements, plus projection with original footage from each time period immersed us into the world of Hip Hop and that was a sensorial treat. It was physical, electrifying, funny, and the performers had people screaming (ayeee!) in every exciting moment. This kind of audience engagement was encouraged at the start of the show and created such an inviting and thrilling vibe throughout the evening.
Photo by Fractal Films
Taking over the stage from intricate, detail-oriented choreography danced in unison to individual, battle- like style, we had the opportunity to witness different levels of movers from younger to well seasoned dancers. Their passion and love for what they do really came through in their performance and it was truly a pleasant and very contagious energy that did not end on the stage with them but carried through the entire Jeanne Wagner theater.
One of the standout moments in the show (too many to mention each in detail) was the popping section choreographed by Marc “BIG CHOCOLATE” Cameron, from its first hit the piece was eye catching, sharp and supremely defined by the dancers, as they glided past one another there was an effortless float across the stage juxtaposed by the hard hits and definition in their upper body. Though there were some small mistakes, the performers saved it with their wild energy and presence in the stunning cannons of complex pathways that weaved through each other’s arms with dazzling precision and speed. It was refreshing to see a show with theatrical situations at play, knowing that this show runs annually it would be great to see how these theatrical scenes could be played out to a greater degree; building up real scenes with structure to take us into the theatrical world that could enhance the storyline of the whole evening to a deeper level. The “CLUB BATTLE” at the end of the evening showcased the originality of each and every dancer that stepped out to move. The variety of movements defined by rhythm, personality of the mover and their exceptional physicality came to life in every style from wicked breakdance, funky locking, popping, sexy whacking and more.
The show was carrying diversity not only in dance styles but in representation of people with different backgrounds, ethnicities, genders ages, and body physiques which is an essential part in the evolution of Hip Hop culture. That alone stood as a unique power (especially in the state of Utah) saying without having to say that yes, in Utah there is a community that is ever growing and all of these people, and more, belong on this stage. The performers were so engaging, to watch such authenticity and individuality flourish on stage was a thrilling environment to bear witness.
I would definitely recommend going to see THEY REMINISCE when it comes back again. There is so much to learn if you’re new into this world of dance and even if you’re very familiar with the work and mission of these artists you still are in for an entertaining, funny, exciting and educational evening that I guarantee will not disappoint. Congrats to all involved in this compelling show, it was a joy to experience.
Photo by Fractal Films
This review was written by Martin Durov and edited by Laja Field (LAJAMARTIN). LajaMartin Physical Dance Theater is a vessel for live performance. Co-founded in 2017 by Martin Durov (Slovakia) and Laja Field (SLC, UT) the two have had the pleasure of traveling to perform, teach and create work in 16 different countries world wide. Highlights include a New York City premiere of Pinot Noir for the Curated Series by Gibney Dance Company; touring work to Prisma Festival in Panama and the Šibenik Dance Festival in Croatia; teaching all over the U.S and for five consecutive years at the b12 festival in Berlin. This fall LajaMartin will be premiering two new works, in Salt Lake City on the Ririe-Woodbury Dance Company and in Calgary on Project InTandem. Currently based out of a suitcase, LajaMartin continues to bring their unique style of highly physical dance theater in performances and workshops throughout the globe. For more visit lajamartin.com.